“In opposition to, or concurrent with, cultural history we have geological history. The romance of geological time renders human history truly finite, like a single flap of bats’ wings instantaneously illuminated in the darkness. Darwinian evolutionary theory give light to our vulnerability to time; our survivalist drive is ignited with the knowledge of our own mutation/extinction. How do we weave our intricate narratives of science, psychology and art into this ultimate drama of prehistory? The ever-steady march of culture consumes any recollection of our spiritual origin or connection to organic clarity. Back in the womb of primordial ooze, our aquatic unconscious rambles, unaware of the fear or dread which history and culture fabricates from the chaos of its own devising. The marvel of our destructive/creative essence is the satire of our own beginning and ending in geological time.“ 1991, NYC
Century of Progress private coll
Century of Progress
Icons-of-paraside-primordial-seduction-1993 private collection chicago.jpg-nggid03275-ngg0dyn-1200x900x100-00f0w010c010r110f110r010t010
paradise with birds 1992 private collection
paradise with coffee 1992 private coll NY
paradise with cookies 1992
Paradise with Lynx Private coll IL
Paradise Wolf and Cub coll of artist
private collection, IL
st. teresa enters the underwater ecstasy of the chesapeake
paradisical-lexicon-geneology-installation at-PS1-overall-10×18.jpg-nggid03266-ngg0dyn-1200x900x100-00f0w010c010r110f110r010t010
paradisiacal lexicon installation at carnegie mellon university
